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Relationscapes : movement, art, philosophy / Erin Manning.

By: Material type: TextTextSeries: Technologies of lived abstractionPublication details: Cambridge, Mass. : MIT Press, c2009.Description: x, 268 p. : ill. ; 24 cmISBN:
  • 9780262134903 (hard cover : alk. paper)
  • 026213490X (hard cover : alk. paper)
Subject(s): DDC classification:
  • 128.6 22
LOC classification:
  • B105.M65 M36 2009
Other classification:
  • Dh
Contents:
Prelude: What moves as a body returns as a movement of thought -- Introduction: Events of relation : concepts in the making -- Incipient action : the dance of the not-yet -- The elasticity of the almost -- Interlude: A mover's guide to standing still -- Taking the next step -- Dancing the technogenetic body -- Interlude: Perceptions in folding -- Grace taking form : Marey's movement machines -- Interlude: Animation's dance -- From biopolitics to the biogram, or, how Leni Riefenstahl moves through fascism -- Interlude: Of force fields and rhythm contours : David Sprigg's animate sculptures -- Relationscapes : how contemporary Aboriginal art moves beyond the map -- Constituting facts : Dorothy Napangardi dances the dreaming -- Interlude: Cornering a beginning -- Conclusion: Propositions for thought in motion.
Holdings
Item type Home library Call number Status Date due Barcode Item holds
Book Book Biblioteket Brinellvägen D Manning 1 Available 43731005495
Book Book Biblioteket Valhallavägen Db Manning 2 Available 43731007890
Total holds: 0

Includes bibliographical references (p. [247]-255) and index.

Prelude: What moves as a body returns as a movement of thought -- Introduction: Events of relation : concepts in the making -- Incipient action : the dance of the not-yet -- The elasticity of the almost -- Interlude: A mover's guide to standing still -- Taking the next step -- Dancing the technogenetic body -- Interlude: Perceptions in folding -- Grace taking form : Marey's movement machines -- Interlude: Animation's dance -- From biopolitics to the biogram, or, how Leni Riefenstahl moves through fascism -- Interlude: Of force fields and rhythm contours : David Sprigg's animate sculptures -- Relationscapes : how contemporary Aboriginal art moves beyond the map -- Constituting facts : Dorothy Napangardi dances the dreaming -- Interlude: Cornering a beginning -- Conclusion: Propositions for thought in motion.

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