Contents?Acknowledgments?General Introduction? By Brian Price?PART ONE: COLOR TECHNOLOGY AND VISUAL STYLE?Introduction?1 Steve Neale, Technicolor?2 Natalie Kalmus, Color Consciousness ?3 J.P. Telotte, Minor Hazards: Disney and the Color Adventure ?4. Dudley Andrew, The Post-War Struggle for Color?PART TWO: COLOR THEORY?Introduction?5 Rudolf Arnheim, Remarks on Color Film ?6 André Bazin, A Bergsonian Film: The Picasso Mystery ?7 David Batchelor, from Chromophobia?8 Brian Price, Color, the Formless and Cinematic Eros ?9 Trond Lundemo, The Colours of Haptic Space: Black and White in Moving Images?PART THREE: THE FILMMAKER AS COLOR THEORIST?Introduction?10 Sergei Eisenstein, On Colour?11 Nagisa Oshima, Banishing Green ?12 Eric Rohmer, Reflections on Color?13 Eric Rohmer, Of Taste and Colors ?14 Stan Brakhage, Painting Film? ?PART FOUR: CASE STUDIES?Introduction?15 Richard Allen, Hitchcock¿s Color Designs ?16 Mary Beth Haralovich, All that Heaven Allows: Color, Narrative Space, Melodrama?17 Scott Higgins, Demonstrating Three-Strip Technicolor: Becky Sharp?18 Marshall Deutelbaum, Costuming and the Color System: Leave Her to Heaven?19 Edward Branigan, The Articulation of Color in a Filmic System: Deux ou trois choses ? que je sais d¿elle? 20 Angela Dalle Vacche, Michelangelo Antonioni¿s Red Desert: Painting as ? Ventriloquism and Color as Movement (Architecture and Painting)?21 Peter Wollen, Blue ?Select bibliography, compiled by Angela Dalle Vacche?Index