One place after another : site-specific art and locational identity / Miwon Kiwon.
Material type:
Item type | Home library | Call number | Status | Date due | Barcode | Item holds |
---|---|---|---|---|---|---|
![]() |
Biblioteket Brinellvägen | Ia Kwon 1 | Available | 43731004950 | ||
![]() |
Biblioteket Valhallavägen | I:b Kwon 2 | Available | 43731011145 | ||
![]() |
Biblioteket Valhallavägen | I:b | Available |
Includes bibliographical references and index.
Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique community-based art, and public art, its creators insisted on the inseparability of the work and its context.