Fabula - the library catalogue at Stockholm University of the Arts

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Film, a sound art / Michel Chion ; translated by Claudia Gorbman.

By: Material type: TextTextLanguage: English Original language: French Series: Publisher: New York : Columbia University Press, 2009Edition: [English ed.]Description: xii, 536 s. ill., music 25 cmISBN:
  • 9780231137775
  • 023113777X
  • 9780231137768
  • 0231137761
Uniform titles:
  • Art sonore, le cinema. Engelska
Subject(s): DDC classification:
  • 791.43024 22
LOC classification:
  • PN1995.7 .C4513 2009
Other classification:
  • F634
  • Imb
Contents:
History. When film was deaf (1895-1927) -- Chaplin: three steps into speech -- Birth of the talkies or of sound film? (1927-1935) -- Jean Vigo: the material and the ideal -- The ascendancy of king text (1935-1950) -- Babel -- The time it takes for time to "harden" (1950-1975) -- The return of the sensorial (1975-1990) -- The silence of the loudspeakers (1990-2003) -- On a sequence from The birds: sound film as palimpsestic art -- Aesthetics and poetics. Jacques Tati: the cow and the moo -- The disappointed fairies around the cradle -- The separation -- The real and the rendered -- The three borders -- Audiovisual phrasing -- Alfred Hitchcock: seeing and hearing -- The twelve ears -- Orson Welles: the voice and the house -- The talking machine -- Faces and speech -- Andrei Tarkovsky: language and the world -- The five powers -- God is a disc jockey -- Max Ophuls: music, noise, and speech -- Like tears in rain.
Holdings
Item type Home library Call number Status Date due Barcode Item holds
Book Book Biblioteket Valhallavägen Ima.ij Chion 1 Available 43731016334
Total holds: 0

Translated from the French

Bibliografi, index

History. When film was deaf (1895-1927) -- Chaplin: three steps into speech -- Birth of the talkies or of sound film? (1927-1935) -- Jean Vigo: the material and the ideal -- The ascendancy of king text (1935-1950) -- Babel -- The time it takes for time to "harden" (1950-1975) -- The return of the sensorial (1975-1990) -- The silence of the loudspeakers (1990-2003) -- On a sequence from The birds: sound film as palimpsestic art -- Aesthetics and poetics. Jacques Tati: the cow and the moo -- The disappointed fairies around the cradle -- The separation -- The real and the rendered -- The three borders -- Audiovisual phrasing -- Alfred Hitchcock: seeing and hearing -- The twelve ears -- Orson Welles: the voice and the house -- The talking machine -- Faces and speech -- Andrei Tarkovsky: language and the world -- The five powers -- God is a disc jockey -- Max Ophuls: music, noise, and speech -- Like tears in rain.

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