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How to stage Greek tragedy today / Simon Goldhill.

Av: Materialtyp: TextUtgivningsinformation: Chicago : University of Chicago Press, 2007.Beskrivning: 248 p. : ill. ; 21 cmISBN:
  • 0226301281 (pbk. : alk. paper)
  • 9780226301280 (pbk. : alk. paper)
  • 0226301273 (cloth : alk. paper)
  • 9780226301273 (cloth : alk. paper)
Ämnen: DDK-klassifikation:
  • 882/.0109 22
Onlineresurser:
Innehåll:
Space and concept -- The chorus -- The actor's role -- Tragedy and politics : what's Hecuba to him? -- Translations : finding a script -- Gods, ghosts, and Helen of Troy.
Sammanfattning: "[E]xplains how Aeschylus, Euripides, and Sophocles conceived their works in performance and then summarizes everything we know about how their tragedies were actually staged.... [T]ackles the six major problems facing any company performing these works today: the staging space and concept of the play; the use of the chorus; the actor's role in an unfamiliar style of performance; the place of politics in tragedy; the question of translation; and the treatment of gods, monsters, and other strange characters of the ancient world."--From publisher description.
Bestånd
Omslagsbild Exemplartyp Aktuellt bibliotek Hembibliotek Avdelning Hyllplacering Hyllsignatur Del av materialet som avses Volyminfo URL Ex.nummer Status Kommentarer Förfallodatum Streckkod Exemplarreservationer Köplats för exemplarreservation Kurslistor
Bok Biblioteket Valhallavägen Ikaa.d antiken Goldhill Länk till resurs Tillgänglig 43731016857
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Includes bibliographical references (p. 225-240) and index.

Space and concept -- The chorus -- The actor's role -- Tragedy and politics : what's Hecuba to him? -- Translations : finding a script -- Gods, ghosts, and Helen of Troy.

"[E]xplains how Aeschylus, Euripides, and Sophocles conceived their works in performance and then summarizes everything we know about how their tragedies were actually staged.... [T]ackles the six major problems facing any company performing these works today: the staging space and concept of the play; the use of the chorus; the actor's role in an unfamiliar style of performance; the place of politics in tragedy; the question of translation; and the treatment of gods, monsters, and other strange characters of the ancient world."--From publisher description.

Imported from: sb.aleph.fcla.edu:9825/NFU_PUB (Do not remove)

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