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Animated documentary / by Annabelle Honess Roe, University of Surrey, UK

By: Honess Roe, AnnabelleMaterial type: TextTextPublisher: Houndmills, Basingstoke, Hampshire ; New York : Palgrave Macmillan, [2013]Description: viii, 194 pages : illustrations ; 23 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 9781137017451Subject(s): Dokumentärfilm | Animerad film | Dokumentärfilm | Animerad film | Documentary films -- History and criticism | Animated films -- History and criticism | Documentary films | Animated filmsDDC classification: 791.43/34 LOC classification: PN1995.9.D6 | H63 2013
Contents:
Introduction. Animation and documentary's shared history -- Scope and organisation -- Representational strategies. How animation is used in animated documentary -- The ontology of animated documentary -- Digital realities. Dino-docs and strategies of visual and aural authentication -- Tracing the sights and sounds of reality in Rotoshop and Chicago -- Paratextual authentication -- The excess of animated realism -- Animated interviews. Uncanny bodies -- Absence as representational strategy -- The expressive power of the disembodied voice -- The world in here. More than the interview seen: Sheila Sofian's illustrated interviews -- Inside out: animating subjective experience -- Hybrids of reality -- Animated awareness -- Animated memories. (Dis)continuities: the self in history -- The unspoken and the forgotten: the trauma in/of history in Silence and Waltz with Bashir -- Afterword.
Holdings
Item type Home library Call number Status Date due Barcode Item holds
Book Book Biblioteket Valhallavägen
Imbai Honess Available 43731017571
Total holds: 0

Includes bibliographical references (pages 180-188) and index.

Introduction. Animation and documentary's shared history -- Scope and organisation -- Representational strategies. How animation is used in animated documentary -- The ontology of animated documentary -- Digital realities. Dino-docs and strategies of visual and aural authentication -- Tracing the sights and sounds of reality in Rotoshop and Chicago -- Paratextual authentication -- The excess of animated realism -- Animated interviews. Uncanny bodies -- Absence as representational strategy -- The expressive power of the disembodied voice -- The world in here. More than the interview seen: Sheila Sofian's illustrated interviews -- Inside out: animating subjective experience -- Hybrids of reality -- Animated awareness -- Animated memories. (Dis)continuities: the self in history -- The unspoken and the forgotten: the trauma in/of history in Silence and Waltz with Bashir -- Afterword.

Imported from: lx2.loc.gov:210/LCDB (Do not remove)

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