To the vision machine / Lina Selander -- Preface: towards a community style -- The miracle of Tensta (Theoria) / Magnus Bärtås -- Dynamism in single image / Twelve snapshots form a conversation with Carlo Ginzburg -- Snapshot 1: So I was in Pisa as a student -- Microhistory and cinematic experience: two or three things I know about Carlo Ginzburg / Andrej Slávik -- Snapshot 2: I came to Bologna in 1970 -- Folgen / Michelle Teran -- Snapshot 3: Allora, microhistory -- Ágalma: the objet petit a, Alexander the great, and other excesses of Skopje 2014 / Suzana Milevska -- Snpshot 4: you may say: this is promising -- A kind of friend / Lars-Henrik Ståhl -- Life: a narrative in three dimensions / Mika Hannula -- Snapshot 5: narration at every stage -- Model of continuation / Lina Selander

forts. The touch of the reel: a conversation between Linda Selander, Oscar Mangione and Axel Andersson -- Silphium / Lina Selander -- Snapshot 6: So, after all, you can do this! -- The fluid narrative of marginography: the necessity of microhistory in the hyper-politicized time, place, body in Pirooz Kalantari's films / Behzad Khosravi Noori -- The gravity of the eye / Lena Séraphin -- Snapshot 7: a sort of counter-poison -- Rupture sessions / Michelle Teran -- Snapshot 8: That's frivolous, no, I can't do that! -- Microhistories and the internalization of macrohistories - a case study [...] / Suzana Milevska -- Snapshot 9: and then ... let's fight! -- The strangest stranger / Magnus Bärtås -- Snapshot 10: different pieces in different colors -- Microhistory goes public: from Ginzburg's paradigma indiziario to Weizman's forensic turn / Andrej Slávik -- Snapshot 11: invariably? We'll see! -- The offspring resembles the parent / Lina Selander -- Snapshot 12: dynamism in a single image -- Epilogue: big ships and small boats / Magnus Bärtås